This travel photographer's diary is the continuation of my journey around North Chile. When the roads opened up, I drove to San Pedro De Atacama.
I’ve recently come back from Chile. An amazing, visually stunning country. My journey there, inspired me to try something different. It wasn’t totally smooth, nor full of only moments of bliss and jolliness and that was just fine.
There’s been an onslaught of new cameras lately. Seems like there's a new one out every other week. New features that you supposedly can’t live without. But, no one is asking an important question. Can a new camera make you a better photographer?
You might have seen countless videos about travel photography tips here on Youtube. Most of them touch on more or less the same stuff, which is either fairly obvious or pretty banal.
The Caucasus region was meant to be a stop on my way to Mongolia. But, I stayed. Fell in love with Georgia. Came back, stayed longer. Fell in love with Armenia. Over the past three years I’ve been leaving – coming back, spending months at a time here.
Most photographers paint a very rosy picture of travel and photography of people. Beautiful places, friendly locals. They talk about how they connect with different cultures so effortlessly. The truth, the hard truth, is that things aren’t always so ideal.
Exploring the unknown is exhilarating. Anybody with even a slight sense of adventure relishes the chance to get off the beaten track. Away from the masses, from the censored, postcard reality. I’m obsessed with getting off the beaten track.
It’s early in the morning. The rays of the rising sun peek through the window of my Landrover’s roof-tent. Far in the distance I can make out the sounds of sheep, cows and their herders screaming at them. Did they go in a different direction to what I expected last evening?
Today the idea of limiting the number of photos you take during a photoshoot is… It doesn't make sense. Memory cards are cheap. Storage is cheap. And of course shooting more photos means more opportunities to get something special. Right? Yes. Well, kind of. It’s not as simple as that.
Imagine you're asked to photograph at one of your favourite destinations. It's for a company you really like. You get to use a camera that’s not even released yet and you’re given plenty of creative freedom. On top of everything, you get paid well too.
I’ve owned DJI drones for about 2 years. I’ve used them pretty intensely in various countries, in different conditions and for a multitude of subjects. I think it's time that I share some of my experiences with drones as travel photographer who's always on the road and tries to carry as little gear as possible.
To immerse myself in the luscious, green mountain scenery just one more time. To experience the worry free small-town-life. My journey through Colombia was winding down and this is what I wanted to do before leaving.
It’s not often that a camera changes the way that you approach your work, but, without exaggeration this is exactly what happened when I got my hands onto Panasonic Lumix cameras. In large part, this is why I wanted to have a relationship with Panasonic – because I loved what they created.